Saturday, October 26, 2013

Tone and Color


How Tone is Operating
In the example above, tone is operating in four ways that I see. The first is the light and dark rectangles above and below the illustration (1). These bars have at least two functions. The first is simply to create top and bottom borders for the content area. More relevantly to this assignment, the second function they service is to create a sense of orientation through the use of tone. The bottom box has a darker tone and feels heavier because of this, therefore serves as a foundation for the page. By contrast, the box above is lighter in tone and serves as a ceiling or sky.

How Tone is Interacting
The interaction of tone in the main content is kind of fun. We can see that tone lends the image a measure of depth two reasons (2). The first reason is that a sense of distance or dimensionality is conveyed by the tone becoming lighter as you move up the frame. This works in conjunction with color, as I will discuss momentarily. The second way in which tone is interacting with the page is with the hills. If you look closely, the bottom of the hills have a lighter tone than the tops. This again affects the viewer’s perceptions by giving the viewer a sense of distance or depth as well as separation from one hill to the next.

How Color is Operating
In my mind color is being used to focus attention. For example, look at the pile of stuff (3). This pile is much more colorful and saturated than the background (2) or even the two guys walking away (who are monochromatic silhouettes). It is because of this color, which breaks up the near monochromatic color theme, that the viewer is attracted initially to the items in the foreground.

How Color is Interacting

As mentioned above in “How Tone is Interacting,” the image become more desaturated as you move toward the background. I believe Da Vinci is widely recognized as the first artist to experiment with this effect. For example, if you look at the color of the pile of stuff in the foreground (3), it’s very saturated. But if you look, at the first row of hills, they become less saturated, and the second row of hills are even less saturated. This contributes to the sense of depth in this website. It is also working in conjunction with tone because the tones become lighter as if atmospheric haze has been introduced.

Tuesday, October 22, 2013

Basic Elements


Line


In this screen capture of the AIGA website you can clearly see line active in many places. For example, line creates the edges of the fonts (1), but line is also implied in the negative space between the blocks of content (2), and finally it even acts as the textured background for the website (3).

Shape


In this example, shape is used to neatly segment the page into easily digestible info-nuggets. For example, the rectangular structure of (1) defines and segments a segment of the page informing the viewer of the beginning and end of that piece of content. Shapers are also used as important callouts (2), and as utility panels (3).


Color



Finally, color is used to create page boundaries (1), push objects toward the back reducing it’s importance by lowering it’s visibility (2), or pull them forward giving it greater importance or appeal (3).

One interesting example for pushing an item toward the background I have called out specifically to highlight that it’s color and pattern (1) nearly match that of the page background (2), essentially saying it’s hear, but not very important to the in comparison to the surrounding content.